In one of the chapters titled “What’s in a Name?” the author shares his observation citing examples that names do makes a lot of difference in show business regardless of the fact what Shakespeare had to say about roses.
Heroines known with their better names include Sulochana (Ruby Mayers), Meena Kumari (Mehzabeen Begum), Rekha (Bhanurekha Ganesan) to name a few. The author’s observation also suggests that the use of the letter “K” is supposed to be “spiritually most potent” whereas “V” spells not for victory but doom unless it vibrates well. However, there have been people such as V. Shantaram, Vinod Khanna, Vivek Oberoi and Vyjanthimala Bali amongst the exception. A name means a lot in Hindi Cinema. What might appear to be a casual allusion could actually serve to be the identity of an actor or would mark to be the new beginning for the director.
While the chapter “Honesty Is The Best Policy” is concerned the author has given the example of Amitabh Bachchan. Even after he was voted as the Star of the Millennium and had a wax image to his name at Madame Tussauds in London he continued being his humble self, never questioned the judgment of his directors. Whatever role he played Bachchan did it with supreme confidence and complete conviction.
The readers get profited with relevant examples the author has supplemented against each of the 10 mantras covered in his book. To make one’s journey in Bollywood a rewarding experience the author says that success in Bollywood is not a matter of chance or luck but involves methodical approach coupled with analytical reasoning. If one adheres to this the journey would indeed prove to benchmark of success.
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